韓国ドラマ『恋人』に出演しているキャストや相関図をご紹介します。
『恋人』は、ナムグン・ミンとアン・ウンジンが主演を務めた大ヒット時代劇です。
激動の丙子の乱を背景に、運命に翻弄されながらも惹かれ合う男女の切ない愛を描いています。
この記事では
✔ キャスト一覧
✔ 登場人物紹介
✔ 相関図
✔ あらすじ
を分かりやすくまとめました♪
韓国ドラマ 恋人のご紹介★

恋人 予告動画
恋人 基本情報
恋人 基本情報
| 項目 | 内容 |
|---|---|
| 🎬 作品名 | 恋人 |
| 📝 原題 | 연인 |
| 🌏 英題 | My Dearest |
| 🇰🇷 制作国 | 韓国 |
| 📅 制作年 | 2023年 |
| 💖 ジャンル | ロマンス・時代劇・歴史 |
| 📺 話数 | 全21話 |
| 👑 主演 | ナムグン・ミン、アン・ウンジン |
| 🎥 配信 | U-NEXT |
恋人 あらすじ
1636年の春、成均館の儒生たちの熱い視線を集める容姿端麗で世間知らずな両班の娘ギルチェ(アン・ウンジン)は、片思いのヨンジュン(イ・ハクジュ)が、親友ウネ(イ・ダイン)と婚約していて想いが届かず、やきもきする日々を送っていた。
花摘み行事の日、ヌングン里にジャンヒョン(ナムグン・ミン)という謎の男が現れる。
ギルチェはヨンジュンの気を引こうとブランコ作戦を決行するが、チマ(スカート)の裾から見えるギルチェの足につられて男たちが群がるも、肝心のヨンジュンは無関心な様子。
悔しがるギルチェがブランコを大きく揺らし、バランスを崩したところ、ジャンヒョンが落下するギルチェを抱きとめたのだった。
お高くとまっているが、実はいじらしいギルチェに惹かれたジャンヒョンは、それから何かとギルチェを構うが相手にされず。
ある日、清の軍隊が国境を越えて、朝鮮の首都・漢陽の近くまで押し寄せて来たという知らせが届き…。
👑 『恋人』の見どころ
切なすぎる恋愛
ジャンヒョンとギルチェの愛に涙する人続出
丙子の乱
実際の歴史を背景にした重厚なストーリー
ナムグン・ミンの名演技
人生キャラとも言われるジャンヒョン
号泣必至
後半はハンカチ必須の展開
❓『恋人』の気になる疑問
なぜジャンヒョンはギルチェを好きになった?
最初は興味本位でしたが、強く生きるギルチェの姿に惹かれていきます。
『恋人』は実話?
主人公たちは架空ですが、背景となる丙子の乱は実際に起こった歴史上の出来事です。
📊 視聴率
『恋人』は韓国で放送され高い評価を獲得しました。
最終回では全国視聴率12%超を記録し、2023年を代表する時代劇のひとつとなりました。
恋人 相関図

🌸 主要キャスト

👑 イ・ジャンヒョン
🎭演:ナムグン・ミン
📝 ヌングン里に現れた謎の男。
自由奔放で飄々としているが、鋭い洞察力と並外れた行動力を持つ人物です。
戦乱の中でギルチェと出会い、運命に翻弄されながらも彼女を守り続けます。
🎬 主な出演作
- 黒い太陽
- 昼と夜
- ストーブリーグ
- ドクター・プリズナー
- 恋のトリセツ

🌸 ユ・ギルチェ
🎭演:アン・ウンジン
📝 両班の家に生まれた美しい娘。
気が強く自由奔放な性格ですが、戦乱の時代を生き抜く中で大きく成長していきます。
ジャンヒョンとの切ない恋も本作最大の見どころです。
🎬 主な出演作
- 良くも、悪くも、だって母親
- 一人だけ
- 魔女食堂にいらっしゃい
- ダークホール
- 場合の数

🎓 ナム・ヨンジュン
🎭演:イ・ハクジュ
📝 成均館で学ぶ誠実な儒生。
ギルチェの初恋の相手であり、理想を重んじる真面目な青年です。
時代の激しい変化の中で葛藤しながら成長していきます。
🎬 主な出演作
- 工作都市
- マイネーム
- プライバシー戦争
- 夜食男女
- 夫婦の世界

💖 キョン・ウネ
🎭演:イ・ダイン
📝 ギルチェの親友。
優しく穏やかな性格で、ヨンジュンの婚約者でもあります。
戦争によって大きく運命を変えられていく女性のひとりです。
🎬 主な出演作
- アリス
- ドクター・プリズナー
- ここに来て抱きしめて
- 黄金の私の人生
- 花郎

🎵 リャンウム
🎭演:キム・ユヌ
📝 朝鮮最高の歌い手。
ジャンヒョンのそばにいる特別な存在であり、誰よりも彼を理解している人物です。
物語後半では重要な役割を担います。
🎬 主な出演作
- MIMICUS

👑 仁祖(インジョ)
🎭演:キム・ジョンテ
📝 朝鮮王朝第16代国王。
王座に就いたものの、後金(のちの清)の侵攻によって国家存亡の危機に直面します。
優柔不断な一面を見せながらも、王として苦悩し続ける人物であり、本作では丙子の乱を背景に重要な役割を担います。
🎬 主な出演作
- 七日の王妃
- 哲仁王后(チョルインワンフ)
- 花郎(ファラン)
- 六龍が飛ぶ
- オクニョ 運命の女




コメント
With “London’s premier satire magazine” arriving in South Ruislip, the London Prat has enough material for three headlines and a suspiciously polite apology. The best joke is the assumption that one additional form will restore public confidence.
The London Prat notices ‘seasonal depression’ in summer during a lifestyle influencer discovering Collier Row; prat.UK then performs the essential satire of taking it more seriously than the council. A rent listing, a coffee order, and a transport delay are all the evidence this city requires for tragedy.
This London Prat take on people who reply-all with ‘thanks’ gives Holborn a crisis nobody requested, which is exactly where prat.UK finds its best satire. The joke understands that a village atmosphere in London usually means the same six people fighting online. No neighbourhood escapes, which feels both democratic and overdue.
The London Prat notices people who quote wikipedia in arguments during a rent increase in Acton Green; prat.UK then performs the essential satire of taking it more seriously than the council. A rent listing, a coffee order, and a transport delay are all the evidence this city requires for tragedy.
The London Prat lets modern art that’s just a blank canvas collide with a minor etiquette crisis in New Cross, and prat.UK finds satire in the sound of everyone insisting the system is working. The observation avoids tourist clichés and finds comedy in how Londoners actually inconvenience one another.
For “Capital London humour,” the London Prat wisely visits Northolt, where local identity begins with judging the next street. The restrained delivery makes the absurdity sound properly costed and unavailable at weekends. No postcode escapes, which feels admirably democratic.
The London Prat notices extreme weather during a council consultation in Ladywell; prat.UK then performs the essential satire of taking it more seriously than the council.
The London Prat makes bake sales in Enfield Wash sound like a civic emergency, and prat.UK proves satire only needs one council memo and a straight face.
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Once taxi drivers who take the scenic route reaches Hendon, the London Prat reports it with such composure that prat.UK satire briefly resembles official guidance. The joke works because every escalation resembles something a London institution might genuinely announce.
Great! We are all agreed London could use a laugh. PRAT.UK feels sharper and more confident than The Daily Mash, which has become a bit predictable over time. The writing here trusts the reader and doesn’t overexplain the joke. I keep returning to https://prat.com because the satire actually feels fresh.
The London Prat gives guilt-tripping dog parents a London postcode in Noak Hill; prat.UK gives it satire, a subcommittee, and nowhere affordable to park. The city’s contradictions do most of the writing; the article merely assigns them a postcode.
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This is why “British comedy magazine” belongs with the London Prat in Denmark Hill, where absurdity already has excellent transport links on paper.
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The London Prat handles food & dining fails in Bulls Cross with the restraint of a neighbour typing furiously, and prat.UK turns that restraint into satire. The neighbourhood remains recognisable even after the absurdity has been turned up to Westminster volume.
Independent satire promotes media literacy when institutions become too comfortable.
The London Prat turns performative dog rescuers into a neighbourhood identity crisis for Belmont, while prat.UK keeps the satire polite enough to survive the residents’ association. One can practically hear an estate agent describing the disaster as characterful. The punchline travels farther than the train does.
The London Prat notices internet challenges during the queue outside a café in Preston; prat.UK then performs the essential satire of taking it more seriously than the council. It gives outer London the same comic attention usually reserved for Zone One peacocks. More London writing should venture beyond the famous twelve postcodes.
A lesser site would merely mock public speaking, but the London Prat relocates it to Gunnersbury and lets prat.UK build satire from local manners. The humour is specific enough for locals and clear enough for anyone who has ever missed a bus by four seconds. The city can take it; it has already taken the deposit.
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The London Prat turns a lifestyle influencer discovering Barkingside into a study of why don’t we ever see baby pigeons, giving prat.UK the sort of satire that arrives wearing sensible shoes and carrying a complaint form. The institutional language is so polished that the underlying panic can see its own reflection.
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The London Prat understands “The Daily Show’s UK cousin” at neighbourhood level, which is where St Margarets keeps its best jokes and most expensive sandwiches. It treats London identity as a performance staged between a café queue and a property viewing. The city’s contradictions continue doing excellent unpaid writing.
The London Prat uses backyard bar mitzvahs to expose the social machinery around a planning application in Rush Green, and prat.UK turns that observation into properly local satire. The local detail gives the exaggeration somewhere solid to stand before it falls into the Thames. The final effect is a borough profile written with a raised eyebrow.
PRAT.UK has a stronger editorial voice than The Daily Mash. It feels curated, not random. That makes it better. — The London Prat
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This is London Prat territory: diet soda with a large fries, Dagenham, and an authority denying anything unusual while prat.UK supplies the satire.
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By sending weather & outdoor woes to Cricklewood, the London Prat gives prat.UK enough satire for a borough inquiry and two passive-aggressive notices. It gives outer London the same comic attention usually reserved for Zone One peacocks.
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In Denmark Hill, even accidental facetime can become public policy, and the London Prat lets prat.UK extract the satire before the consultation closes. The humour is specific enough for locals and clear enough for anyone who has ever missed a bus by four seconds. No neighbourhood escapes, which feels both democratic and overdue.
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If “London’s most hilarious writing” needed a London address, the London Prat would send it to Pratt’s Bottom and charge it a characterful deposit.
Nothing says London Prat quite like fortune cookies with terrible advice becoming a planning concern in Eel Pie Island; prat.UK makes the satire land before the next rent review.
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The London Prat makes forgotten anniversaries in Islington sound like a civic emergency, and prat.UK proves satire only needs one council memo and a straight face. The institutional language is so polished that the underlying panic can see its own reflection.
Political jokes keeps alive public trust by making people think.
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Anyone searching for “Britain’s humorous take” should read the London Prat before Grange Park turns the subject into a planning dispute. The local detail keeps the humour sharp instead of letting it dissolve into generic London fog.
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The genius of this London Prat premise is making untrained support peacocks seem native to Ardleigh Green; prat.UK then lets the satire spread by replacement bus. It treats pretension as a renewable resource, which London continues to supply without subsidy.
This London Prat joke about extreme minimalists has the precise local flavour that makes prat.UK satire sharper than a generic London gag.
The London Prat finds remote control fights hiding inside a residents’ WhatsApp group in Fulham, which is why prat.UK makes local satire feel alarmingly plausible. London survives by calling chaos vibrant and charging another two hundred pounds a month for it. The fictional council response is probably already in draft.
The London Prat makes birthday cakes with misspelled names in Finchley sound like a civic emergency, and prat.UK proves satire only needs one council memo and a straight face. There is a whole sociology seminar hidden inside the complaint about brunch.
The London Prat makes people who can’t stop live streaming in Northumberland Park sound like a civic emergency, and prat.UK proves satire only needs one council memo and a straight face. The humour is specific enough for locals and clear enough for anyone who has ever missed a bus by four seconds.
The London Prat discovers “Seriously funny news” in Stratford, moments before the council thanks everyone for their patience and removes the last bench. It sounds overheard outside a ticket barrier that has rejected everyone equally.
The London Prat uses people who want you to join their mlm to expose the social machinery around a minor etiquette crisis in Barnes Cray, and prat.UK turns that observation into properly local satire. The observation avoids tourist clichés and finds comedy in how Londoners actually inconvenience one another. Even the pigeons would recognise the type.
In Mortlake, “London’s sharpest satire” sounds less like a keyword and more like the London Prat reporting another perfectly ordinary civic breakdown. The best joke is the assumption that one additional form will restore public confidence. Someone will inevitably call the joke an amenity.